Edinburgh Art Festival 2018 – preview

Edinburgh Art Festival (preview)

26 July – 26 Aug 2018

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Kate McMillan’s The Past is Singing in our Teeth.

The Edinburgh Art Festival is a platform for the visual arts at the heart of the jambouree that is August in the capital. Where many may think of ‘the festival’ as being theatre and comedy, this organisation draws together all manner of exhibitions and installations, and places them centre stage.

Vital to the EAF is the Platform which supports artists at the start of their careers. Rae Yen-Song  is at the City Art Centre and the exhibition draws upon her experience as a female, Chinese Scot.

A highlight of the EAF Commissions looks to be Ruth Ewan’s Sympathetic Magick which will bring street magic to various venues around the city. Past festival commissions have resulted in permanent works, including Alison Watt’s Still from 2004 which currently hangs in the Memorial Chapel of Old Saint Paul’s Scottish Episcopal Church.

There is a growing Pop-up Programme which in 2018 involves Bill Viola’s video Three Women at The Parish Church of St Cuthbert. Looking at the topic of transfiguration, his wife and her daughters who star in the work, “briefly enter an illuminated realm”. Viola is always a stimulating view; A second event which stands out from the wide-ranging publicity is The ERRAID RESIDENCY, a stamp collection by 6⁰West in response to the life and works of Robert Louis Stevenson which can be found at The Scottish Arts Club, Rutland Square; Invisible Women give us Consensus  which “forces us to consider how gender and time shape perceptions of worth” and that is at the Urbane art gallery, Jeffrey Street; Finally Warmed Air  is a site-specific performance within the anatomy department of Edinburgh University exploring various levels of perceiving and experiencing the body. It could incorporate cadavers!

There are partner exhibitions with the Arusha Gallery, Rhubaba Gallery, Edinburgh College of Art, Sculpture Workshop, Stills and The Number Shop to name but a few, plus all the biggies, the brightest and best Edinburgh galleries are linked too. In particular check out Tacita Dean’s Woman with a Red Hat at The Fruitmarket Gallery; and the first solo UK show of Indian artist Ravi Agarwal’s Nàdar / Prakriti at The Edinburgh Printmakers.

There are Art Early events (who does not like the sound of activity trails and an outdoor picnic?) for families and children, a brilliant idea for those who rise with the dawn; and three Art Late tours doing the rounds of the collaborating galleries and including music from Jared Celosse , Ross Birrell at theTrinity Apse; and the women and men of Glasgow-based band The Ninth Wave.

As part of the Learning and Engagement aspect, there is an audio described tour with Juliana Capes including a hearing loop; and the Artist Talks incorporates the sparkling Christina Jansen on contemporary jewellery in Scotland.

The delightfully named Mud Oven Afternoons, where you can create edible sculptures, will be at the Johnston Terrace Wildlife Gardens – somewhere many will not have explored before.

Sharpen your eyesight, polish your specs and wander the circuit that is the EAF whether the sun shines or not!

The featured image above is The Impetuous Engine, 2016, film still, Isobel Lutz-Smith.

Mud Oven Afternoons

 

The Just Festival, Edinburgh

Just Festival St John’s Church, Edinburgh.

3-26 Aug 2018

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Age and Stage, Just Festival theatre, Edinburgh.

At a time when I hear so many people worrying over the future and being anxious about the lack of care they see around them, I welcome the annual socially-conscious Just Festival. On their classy website, they state that they are “in line with the Universal Declaration of Human Rights, celebrating humanity in all its differences, and promoting the exploration of new perspectives with the aim of reducing religious, political and social intolerance.” This is a tall order but a mighty refreshing one.

The festival is divided and formed into sections: performance (dance, theatre, music), visual arts, conversations, talks, storytelling and a view (includes a short film) are all encompassed in this programme which hopes to challenge perceptions, celebrate differences and promote respectful dialogue, both religious and non-religious.

Just has made impressive alliances with recognised charities, universities, social groups and community projects which add specialist knowledge, depth and cudos to their events. In the conversations it is notable that there are experts, academics as well as artists on the panels, promising a well-rounded approach.

The honest shape of our communities, where many people do not have the type of contact with others which they desire, is tackled across the genres: Inner Circle, one of these conversations focuses on the LGBTQ population; Trapped in Isolation and Connected Lives, in the theatre category, look at loneliness and the complex reasons why folk may feel alone and ostracised. Let It Art, in the visual art camp, shows the work of youngsters in response to how they view peace, conflict, terrorism, and violence; and Identity and Belonging uses storytelling and photographs expressing individuality in the light of ageing.

The stated aim of tackling “freedom towards a united world” shows itself in Mandela’s Legacy (100 years after his death the panel ask what can be learned from his work and influence), Brexit Means Anxiety, and Faith In Politics. Closely related is the international connection: Athol Fugard, John Kani and Winston Ntshona’s play The Island examines “the situation of black political prisioners”; Sounds from Gold Coast will no doubt bring exuberance and joy to the hall at St John’s using rhythm, harmony and dance; and We Are will be “bouncing off their own ethnic roots” and, “Inspired by, and dedicated to, the women of Ghana, West Africa, who gather under the full moon, they tell stories of sorrow and joy.”

There is a sense of genuine self-questioning and fresh topics of conversation with Slaves In Scotland, Ethics of Aid and in the theatre section with Where Are You Really From? looking at migration and asylum.

It is clear that here has been impressive attention paid to the balance between the sexes throughout the planning stage (see Faith-based Courts for example); and Fierce Females (a view which includes a film), Every Girl Matters (conversation), and Take Refuge Under My Shade (dance) all contribute to equal representation.

There is a most promising sub-section entitled Death on the Fringe. Death is a subject about which we have been famously silent in the west, that is until the last few years when the rise of the Death Cafes (started in Fife btw) and the preponderance of blogs and books on related issues have launched a new era of openness and a desire to speak and share about this topic (see the Wee Review of Richard Holloway’s Waiting for the Last Bus). This talk series encompasses the “surprising history” of the Scottish Funeral by acclaimed speaker Eddie Small; and an account by Awdri Doyle of her Life of a Funeral Director. In addition, you might have heard of birth doulas. This model has now been used for the end of life, so given that “The mortality rate in Scotland remains at 100%” the third presentation in this sequence, End-of-Life Doulas, is from Hilary who works in the role of  “making death better”.

The Just programme has some great images, a wide spread of events covering a diversity of right-up-to-the-moment ideas and themes and a plethora of participants from young to older and from all over the world.

Top of the agenda is respect and the right to self-expression, and using the arts as well as more straightforward debate and exchange, this festival is seriously Just!

 

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Where Are You Really from? theatre, Just Festival, Edinburgh.