We Shall Fight Until We Win – book review

Book Review: We Shall Fight Until We Win, A Century of Pioneering Women. The Graphic Anthology.

We Shall Fight Until We Win is an anthology of pioneering women from the past 100 years. It has been published by 404 Ink (last year they produced Nasty Women whose contributors include our very own Becca Inglis), and Glaswegian BHP Comics, whose alphabet book, The Mighty Women of Science came out in 2016.

From Emeline Pankhurst and Nicola Sturgeon, through Noor Inayat Khan  and Shami Chakrabarti, to M. Thatcher and Mhairi Black MP, this wonderfully active and varied book gathers together 100 years of female power. And that’s just the subjects!

Most strips encompassed in the book have a writer and an illustrator, also female: Denise Mina (words) on Betty Boothroyd  (for eight years the Speaker at the UK House of Commons); Shazleen Khan (graphics) on Joan Bakewell  (author, playwright, Humanist of the Year, and appointed ‘a voice of older people’); Letty Wilson  (graphics) on The Vindication of Diane Abbott .

On top of that, Laura Jones (Emerging Publisher of the Year 2017) and Heather McDaid (The Saltire Society Emerging Publisher of the Year) are the Scottish publishing freelancers who started 404 Ink, both under 40 and pioneering ahead in their field, both able to commission seriously skilled young women.

 

We Shall Fight 2
Nicola Sturgeon ilustrated by J Milton.

Strength and determination abound in this publication, and it starts, as you would expect, with Emmeline Pankhurst, Nicola Love’s  text running, “We were willing to break laws…so that we might force men to give us the right to make them”. In one of those happy coincidences, Charlot Kristensen’s  graphic on page 5 depicts the suffragette rally taking place in the same street in London where 250,000 recently marched to register their feelings about (among other things) the misogyny of Donald Trump.

Each chapter is idiosyncratic with a distinct style and quality: realistic (Sophia Alexandra Duleep Singh); caricature (Poison Penmanship, Jessica Mitford); like a traditional comic strip (Jackie Forster); innocent looking drawings (The Radical in the Footnotes, Beatrice Webb); colourful (The 60%) and monochrome (Jeyaben Desai) reflecting both artist and story. “A graphic novel can say more than just words, without cramming it all into text.” states illustrator Maria Stoian.

The contributors involved in this publication specifically depicted women “with multiple sides to them” (Jenny Bloomfield). “It became a project to make it diverse. It’s historical so that was hard” (Heather Palmer, BHP). Above all, We Shall Fight is informative and documents women who have made an astonishing difference: in torture rehabilitation (Helen Bamber), as a WW11 spy (Inayat Kahn), and there is also a group of school kids, The Glasgow Girls, who stood against the policy of detaining children for immigration purposes.

Jenny Bloomfield is right,”it is amazing what you can get across in a small physical space.”

A Graphic Novel of Women, Equality Is Not Won, is an event at the Edinburgh International Book Festival on Sat 11 Aug 13:45 – 14:45

Do you often read graphic fiction or non-fiction? I’d love to know, so leave me a comment and we can have a chat.

Book Review – A Human Heart by Matt Hopwood

A Human Story is a collection of first-hand recollections gathered by “storyteller and facilitator of sharing space” Matt Hopwood, with a brief foreword by Clare Balding. They are unified by the theme of love “made and given” – love for another, the land, a parent, child or the self. Simple and intimate, these monologues and conversations are touching and, at times, wonderful.

Setting out with only a few possessions and his beard, Matt walked 500 miles from Lindisfarne across the border into and around Scotland to Callanish, the home of the famous standing stones on the Isle of Lewis. “Scotland…where the hard lines dissolve a little and the beauty and spirit of the earth finds an essential space.” He trained in Applied Anthropology at Goldsmith’s, University of London, and is more of listener and transcriber than a writer, inviting his contributors to speak from the heart and not overwhelming their words with his.

This spacious book with its high quality paper and gently informal photos, is divided into 34 chapters, each with an account of love, varied in tone and often entertaining, and a brief piece by Hopwood himself. He describes listening as “an act of profound compassion.” As a reference to his profession there is a chapter on the art of listening.

Travel writing is on-trend, particularly accounts of treks taken on foot in the ancient tradition of the pilgrim or Camino traveller, and this book falls into that category. We walk alongside the author as he delights in the landscape, relying on local kindnesses for his accommodation, and seeking stories.

The book’s publishers, Birlinn, state that Hopwood “admits to having struggled to feel or express any emotions at all until he reached his 30s”, and many of the storytellers address this subject or recount events which demonstrate love without having to spell it out. There is the hospice worker who spent a final 15 hour day with someone, went home to bake a cake, and returned to leave it on the relative’s doorstep; the reluctant father’s intense feelings for his child who writes “It’s the first forever”; and in the last chapter, “When you connect to that other person’s essence,…you’re not alone anymore..”. This thoughtfully presented lexicon of love contains honest accounts from men and women of all ages and offers an antidote to a life where it can be surprisingly hard to say ‘I love you’.

Published by Birlinn.

To share your love story with Matt Hopwood, here is his email